Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. Avenir Next was designed by Adrian Frutiger in collaboration with Monotype Type Director Akira Kobayashi. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Together with Akira Kobayashi, Frutiger completely reworked the Avenir family in 2004. The typeface family was later expanded to six weights, each with a roman and oblique version. In addition to the standard styles ranging from UltraLight to Heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off-screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. The final design of my typeface specimen poster includes a minimalist layout with a red and blue layered text effect in order to visually represent the clean and modern look of Avenir and. Given the assignment to create an exhibit poster for a made up show inspired by a typeface. Avenir was originally released in 1988 with three weights, each with a roman and oblique version, all using Frutiger’s two-digit weight and width convention for names. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. Avenir Next Pro is a new take on a classic face-it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family.
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